Archive for Bruce Springsteen

Just a mood …

Posted in Uncategorized with tags , on October 30, 2017 by macmystery

It’s been a long time since I’ve posted anything here. There are a lot of things that I want to write about and a lot of changes in my life and in the world since the last time I did.

But somehow I’ve just got around to this.

It’s not lost on me that this is a day when significant things are beginning to happen that could shake this country up, … even more than it has been shaken in the last year.

And politics isn’t even at the top of my writing wish list. But it will come.

For now, though, it’ll suffice to say I’m getting back into the swing of things.

And I’ll post this song. It’s a mood I’m in. And so it goes …

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Missing the Big Man

Posted in Music with tags , , , , , , , , , , , , , , , on July 6, 2011 by macmystery

Tramps like us …

It’s been almost three weeks since I heard the news.

I was working on the sports desk on that Saturday night, when Rob, a guy I’ve worked with for sometime who knew of my affinity for all things Bruce Springsteen, said, “I’m sure you’re all over this, but in case you haven’t seen it, Clarence Clemons died.”

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The Promise delivered

Posted in Music with tags , , , on November 6, 2010 by macmystery

Pitchfork.com posted a complete in-studio film and recording of Bruce Springsteen’s long-unreleased classic “The Promise” on Friday. It’s awesome.

I can’t wait for the box set on Nov. 16.

Enjoy.

A glimpse of Bruce Springsteen’s Promise

Posted in Music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 3, 2010 by macmystery

Frank Stefanko's cover photo for Bruce Springsteen's Darkness on the Edge of Town album.

Whatever mistakes NPR made in the handling of the Juan Williams situation, I forgive them.

For the next two weeks, they’ve guaranteed I can begin loving 15 of the 21 songs on Bruce Springsteen’s upcoming release, The Promise, subtitled The Lost Sessions: Darkness on the Edge of Town, a collection of 21 unreleased songs from the Darkness sessions.

NPR is streaming 15 songs individually, or you can choose to listen to them all together randomly in one stream.

No matter how you listen, the fact is that you can right here. At least until Nov. 16, the album’s release date.

Among the 15 songs are:

  • The original version of “The Promise.” Not only is this the centerpiece of THIS set, it very well may be one of Springsteen’s best, period. There was an updated version released on the 18 Tracks album, but it can’t compare to the original. Seriously, in my book, this is a top-10 Springsteen song.
  • Studio versions of “Fire,” made popular by the Pointer Sisters, and “Because the Night,” completed by Patti Smith. The lyrics are slightly different than the Smith version we’ve become used to.
  • “Come On (Let’s Go Tonight)” is basically an alternate version of “Factory,” which made Darkness. The music is essentially the same and it has that same country feel, but the lyrics are quite different. At least one line in the song, about Elvis Presley’s death, we would later see in “Johnny Bye-Bye.”
  • “Ain’t Good Enough For You” is kind of a goofy, fun, 60s-type pop song. It’s closer to something that might have made The River. But it’s not hard to see how it didn’t fit with Darkness.
  • “City of the Night” is a kind of a tight-but-mellow three-minute soul piece.
  • “It’s a Shame” has a nice guitar rhythm or groove going on between Bruce and Steven Van Zant.
  • “Save My Love,” for which there is a video that I linked to out of this post, is the only song of the 15 that was totally re-recorded. So it’s essentially a 2010 E-Street Band version of a 1978 Springsteen tune.
  • “Candy’s Boy” is one of two songs that eventually were combined and morphed into what we now know as “Candy’s Room.” (The other was called “The Fast Song” and essentially was the musical framework for “Candy’s Room”). It’s kind of slow and this version is cut from the one found on Darkness outtake bootlegs. But I really like it. why? I don’t know. I always have.
  • “Rendevous” is much the same as the live version heard on Tracks, but there are a couple of slight lyrical changes I’m not sure I like.
  • “The Brokenhearted” is a very Roy Orbison-esque song. The title gives away the subject matter.
  • There’s a heavier version of “Racing in the Street,” with some substantial lyrical differences from the track we’ve come to know. The core of the song remains the same though, and I think this one will grow on me.
  • “The Wrong Side of the Street” is another 60s pop song.
  • “Gotta Get That Feeling” recalls the Phil Spector sound, and there’s definitely an Orbison feel to it.
  • “Outside Looking In” is pure Buddy Holly.

The tracks NPR doesn’t preview are “Spanish Eyes,” “Talk to Me,” “The Little Things (My Baby Does),” “Someday (We’ll Be Together),” “Breakaway,” and “One Way Street.”

The Darkness outtakes still missing from this collection are numerous and include “The Way,” maybe one of Springsteen’s most romantic songs ever. There’s no telling if it will ever see the light of day.

Nonetheless, if you listen to these 15 tracks, and the other six on the album, I think you’ll find that even Springsteen’s cast offs during this period were gems.

Save My Love

Posted in Music with tags , , , on November 1, 2010 by macmystery

Bruce Springsteen’s new video for the song “Save My Love” from The Promise, the soon-to-be-released collection of outtakes from the Darkness on the Edge of Town sessions was posted on Monday by the New York Times.

“Born in the USA” anti-American?

Posted in Music, Politics with tags , , , , , , on March 14, 2010 by macmystery

Glenn Beck calls Springsteen’s “Born in the USA” anti-American.

Read here.

I guess dissent is only patriotic if you’re one of those tea-baggers, eh Glenn?

Nut job hypocrite. McCarthy would be proud.

One Jonas brother hopes to emulate The Boss

Posted in Music with tags , , , on December 12, 2009 by macmystery

Nick Jonas told his brothers in a Radio Disney interview that his new band — Nick Jonas & the Administration — will take after Bruce Springsteen.

“I’m kind of modeling it after Bruce Springsteen & The E Street Band,” he said. “It’s kind of the look we were going for stylistically on the album cover and just the project in general… [Springsteen] pours so much passion and emotion into all of his songs every night and I hope I can capture that too.”

Read the rest of the story here.

I’ll reserve judgment on whether or not he succeeds.